Showing posts with label traditional. Show all posts
Showing posts with label traditional. Show all posts

Monday, January 4, 2010

Independent Testimonial

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Mr. Eugene Chung came to visit us on the 28th Of December 2009. He kindly provided us with the following testimonial.

Kindly visit:


Dear Mr. Eugene Chung,

Thank you for visiting us and thank you for such high praises. Actually, Sifu and the practitioners deserve the credit more than me. I'm just happy I'm allowed to learn from sifu and allowed to practice with my TTDI brothers and sisters! Hahaha

I'm looking forward to having that teh tarik!!

Kahar Saidun


Dear Practitioners Yip Kin Wing Chun in TTDI,

Mr. Eugene has kindly put my name as the title but this is actually a testimony to YOUR hard work and dedication. As everybody know, I'm still a nobody within Yip Kin Wing Chun and I still have A LOT to learn. I only seem good because you guys are great! I'm honored to be your friend and be allowed to practice with you guys! Kudos to all of you!

Kahar Saidun

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Thursday, January 15, 2009

Basic Training - To get you started


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Stances and Footwork
There are 4 different types of footwork  from sets done on 5 basic stances. All the stances are interchangeable with each other with only at maximum one or less movement in between.

Qigong
Consist of 6 static postures which a practitioner must hold for a period of time. Its objective other than for health is to develop Qi for use in combat.

7 hands
These are separate techniques like those in 40 point Wing Chun and the San Sik of Yuen Kay Shan Wing Chun. Other than teaching a specific technique, they also teach the basic principles used in Yip Kin Wing Choon.

8 legs
Taken from the 3 empty and forms and 1 wooden dummy form, it is a way to practice the kicks separately for practical use in fighting.

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Our Methodology - How we make you excellent!


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Yip Kin Wing Choon Kuen's training system is a traditional model. During the Basic Training stage, the basics required for application of Wing Choon techniques are drilled into the student, imparting the skills required for proper execution of the forms.

Thereafter, from the first form Sai Fa Kuen (Small Flower Fist), until the last, the training methodology becomes iterative. Each and every form contains the entire system. Thus the first form is akin to a "executive summary" of the entire Yip Kin Wing Choon Kuen system. It starts with simple techniques executed with fairly large movements to make it easier for the student to practice while developing the correct principles. Subsequent forms modify the same movements, blending and/or simplifying them, whilst adding more complex movements and applications. These extend also to every weapon form in the system, which use the exact same energy and movement as the empty hand forms. The student is taught the same movements in increasing levels of complexity throughout the course. The different weapons, while using the same movements as the empty hand forms, also each has a different focus and seeks to impart some new, essential skill or energy into the student. Sometimes these changes are felt immediately, for example, a student may do chi sao exercise, do a weapon form, and if he does chi sao after with the same partner he had before, the difference in feel will become immediately and overwhelmingly apparent.

Besides adding advanced techniques, subsequent forms in the system also provide feedback on the student's abilities or development during the earlier forms. For example, if the student's footwork is even slightly in error for some reason or another in an earlier form, the more advanced forms will show this error clearly, allowing a student to make corrections and thus also improve his earlier forms. The highly integrated nature of the Yip Kin Wing Choon Kuen system allows this.

PRINCIPLES


Hit With Borrowed Energy

All the techniques, movements and principles of Yip Kin Wing Choon are designed to achieve this principle. China is famous for its battles and wars which lasts weeks on end. In order to be effective in a battlefield, the soldiers had to find ways to conserve their energy and the best way to do so is to use the enemy's energy.

Energy

Energy is only applied where there's contact and a need. For example, when a punch is launched, it is largely useless until it hits the enemy. Therefore, energy used is only to move the fist to its intended target. It is non committal and its speed and direction is changeable. When it finds its target, a second energy is released in an explosive manner. This allows the practitioner to conserve energy and use it only when it matters most.

Economy of Action

The only objective of Yip Kin Wing Choon is to hit/subdue the opponent in the shortest time possible using the most minimal amount of movement, strength and energy. However in a fight situation, there are more instances where the hands/feet and/or other parts of the body comes in contact with the opponent.

Once in contact with an opponent, every move (of hands and feet, and even a step or turn) in Yip Kin Wing Choon is either an attack, or a set up for an attack. Attacks can be either strikes to vulnerable points on the body of an opponent where available, or an attack on the opponent's structure which results in him unable to attack or defend effectively. An example of an attack on structure is unbalancing the opponent. Where no direct attack is possible at any particular moment, techniques could be used to set up for an attack, by either forcing the opponent to over-commit or to simply bypass his defenses where possible or by other means.

The combat system contains no excess movement, every movement has an application, and every movement is only as large as is strictly necessary to complete its task. In a given situation where the practitioner has a choice of action, he is encouraged to use the simplest and most direct one.


All movements are non-committed in nature, i.e. power is not generated through weight-shift or a waist turn where the upper torso twists independently of the lower body. At no point is the principle of rootedness is compromised during contact.

Centerline Focus

The centerline is defined in Yip Kin Wing Choon as a vertical line passing through the center of the opponents body. Every action in Wing Choon Kuen has a focus on this centerline. The direction of force or energy is always towards this, or directly away from, this line.

The objective of this focus is for every action to have the maximum effect on the opponent.


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Oral History of Yip Kin Wing Chun

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(Written in 2008 by the late Grandmaster Yip Fook Choy)

Wing Choon Kuen originally was part and parcel of Shaolin’s Buddhist theoretical studies. It stressed mainly the formation of one’s personal character and ethics. Kuen Faat (martial techniques) was initially human’s imitation of the movements of animals and birds. After a long period of in-depth study and trails, those movements were arranged into a series of movements we call forms.

The original founder of the series of Wing Choon Kuen was an intelligent, innovative female disciple of Shaolin called Ng Mui Shi Tai. She studied diligently and humbly at Shaolin and eventually became one of the top Kungfu masters. The objectives of her martial techniques were not only to inculcate the high morality of the learner, but also to provide ample physical exercise for fitness and health, through a series of nimble movements. In addition to building up a strong and tough body physically, it also aimed to prevent diseases and defend oneself against any attack from wild animals.

Fighting Oppressive Regime
During the Qing Dynasty, Ng Mui Shi Tai created and founded this series of martial techniques. At that time, China was ruled by Manchuria from the north, i.e. Qing Dynasty. The Emperor of Qing used all sorts of barbaric means to suppress the people of China. All those who dared to oppose the regime were cruelly massacred. The people of China had suffered miserably due to political suppression as well as shortage of food.
It was indeed timely that Ng Mui Shi Tai appeared on the scene during that critical period. Though the martial techniques founded by her was not yet properly named, it was already widely learned by people as a means to fight the Qing oppressors.

In order to stem any sign of uprisings against the regime, Qing Dynasty banned all forms of martial arts practices throughout the country. They even resorted to setting fire to the famous Shaolin Temple and banishing all the learners of martial arts. Ng Mui Shi Tai also had to evade arrest by the Qing’s secret squads by constantly moving from one place to another. Finally she settled down in Guangdong Province where she recruited students and taught them her . Meanwhile, they planned collectively to overthrow the Qing and restore the Ming.

During that time Ng Mui Shi Tai’s martial techniques was not known as Wing Choon Kuen, but just as Shaolin Martial Art. In Guangdong, she came across a gifted disciple called Yim Sei who became Ng Mui Shi Tai’s favourite student. Ng Mui Shi Tai instructed and trained him until he mastered all that she had acquired in her life.

After inheriting everything from Ng Mui Shi Tai, Yim Sei did not make his great mentor disappointed for he continued her work in uniting all the anti-Qing forces, vowing to fight the oppressive regime of Qing to the end. He recruited many capable people and became the spiritual symbol of patriotism and nationalism in an effort to oust the Qing and restore the Ming.
Master Yim Sei, once a Red Boat coach, trained and taught his disciples in a temple. It was there that his daughter Yim Wing Choon was born.

Naming of Wing Chun Kuen
Yim Wing Chun took martial arts lessons from her father at an early age and became very competent in it. But she realized that Shaolin Kungfu emphasized on rough and tough combat techniques which were not suitable for the weaker ladies to practice. Being a lady herself, she tried to find ways and means to ‘soften’ Shaolin Kungfu so that it would be more suitable for the fairer sex. She began to change the tough and rough movements into tender and graceful movements. She eliminated rough combat techniques, made use of the opponent’s force to fight back, and initiated the so-called” tough and soft combination” of martial art.
The new series included such changes and improvements. It had the good effect of making the learner’s body and limbs soft, elastic, nimble and agile after a round of practice. Its main combat method uses the opponent’s own force to strike against him. Yim Wing Chun had surpassed her father’s achievement in wushu. This series of martial techniques, from the time of Ng Mui Shi Tai to Yim Sei, had never had a proper name. After the improvements and refinements by Yim Wing Chun, Ng Mui Shi Tai decided to name this series of martial techniques after her, to commemorate her tireless efforts and contribution to the development of this branch of martial art.

As a result, a complete series of “ hard - and- soft” Wing Chun Kuen" was ‘handed’ down from generation to generation, from Guangdong to Fatshan and then to Fujian and Yunnan Provinces.

The Spread of Wing Choon Kuen
Wing Choon Kuen was formally named. Then, there lived a man by the name of Soo Kai Ming in Pak Wan San (White Clouds Mountain) in Poon Yue county. Being a martial arts master himself, he took an active part in the campaign to topple the Qing and restore the Ming. His love and devotion to martial arts propelled him to practice very hard and became an expert in Wing Choon. The spread of Wing Choon Kuen in Poon Yue county fell on his shoulders. He was very competent in martial arts and was reputed to be the best martial arts master among the older folks.

However, due to the changes of political situation, this old master decided not to move around too much. He preferred to lie low and settle down to set up school to train students, rather than involving deeply in external affairs. He actively taught and spread the martial arts of the early founders. At that time, a lot of people came to him to learn wushu because of his great reputation. He had indeed trained a lot of capable and competent disciples who then spread Wing Choon Kuen throughout China.

Among Soo Kai Ming's students was one Yip Kin. Yip Kin was tutored by this old master in Wing Choon Kuen. Besides, Yip Kin had also learned Ying-Yang Ba Kua Stick from Master Yip Hong Seng of the Yip Clan Memorial Hall. He also acquired the Five Weapons skills from Master Cho Fei Hoong.

In addition to this, he learned more about Wing Choon and many different martial arts under Master Yik Kam who was a master of a Chinese Opera group during the Red Boat era. When Yip Kin left China to immigrate to the south sea known as Nanyang, he chose to settle down in Kuala Lumpur and began his legendary life history there.

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